The Devils

1971
Ken Russel

The Devils is a 1971 British historical drama and horror film directed by Ken Russell and starring Oliver Reed and Vanessa Redgrave. It is based partially on the 1952 book The Devils of Loudun by Aldous Huxley, and partially on the 1960 play The Devils by John Whiting, also based on Huxley's book. The film is a dramatised historical account of the rise and fall of Urbain Grandier, a 17th-century Roman Catholic priest executed for witchcraft following the supposed possessions in Loudun, France. Reed plays Grandier in the film and Vanessa Redgrave plays a sexually-repressed nun who finds herself inadvertently responsible for the accusations.

The film faced harsh reaction from national film rating systems due to its disturbingly violent, sexual, and religious content, and originally received an X rating in both Britain and the United States. It was banned in several countries, and eventually heavily edited for release in others. The film has never received a release in its original, uncut form in various countries, and is largely unavailable in the home video market.

Since the time of its release, the film has caused enormous controversy. In the UK it was banned by 17 local authorities, and everywhere attracted many scathing reviews. Judith Crist called it a "grand fiesta for sadists and perverts",  while Derek Malcolm called it "a very bad film indeed." However, it won the award for Best Director-Foreign Film in the Venice Film Festival, despite being banned in the country

This was a highly controversial film with a rough history of censorship issues; its commentary on religious institutions such as the Catholic Church and organized religion in general stirred up controversy from censorship and ratings boards around the world. This, combined with its graphic depictions of violence, accentuated the film's uncompromising subject matter.

In order to earn a British "X" certificate (suitable for those aged 18 and over), Russell made minor cuts to the more explicit nudity (mainly in the cathedral and convent sequences), details from the first exorcism (mainly that which indicated an anal insertion) and removed some violent detail (notably the crushing of Grandier's legs and latter stages of burning at the stake). However, the biggest cuts were made by the studio itself, prior to submission to the BBFC, removing two scenes in their entirety, notably a two-and-a-half-minute sequence of crazed naked nuns sexually assaulting a statue of Christ and about half of a latter scene with Sister Jeanne masturbating with the charred femur of Grandier at the end of the film. However, even in its released form, the film was considerably stronger in detail than most films released prior to that point.

Its fate in the US was even more stringent, with a further set of cuts made to even more of the nudity with some key scenes (including Sister Jeanne's crazed visions, exorcism and the climactic burning) shorn of the more explicit detail. The film was released in 'X' form (no one under 18 years of age admitted) during its initial US theatrical release, but later resubmitted and recut to the MPAA and garnered an R-rating after another two minutes were removed (further removals of nudity and violent detail plus much of the second vision of Sister Jeanne).


Widescreen Edition Restored Uncut


Femmes de Sade




1976
Alex de Renzy

The film shows the parallel adventures of Rocky de Sade (Ken Turner) and Johny (John Leslie). Rocky de Sade is a 7-foot-tall (2.1 m) ex-convict who terrorizes San Francisco's prostitutes, while Johny is a sex shop worker who has wild sexual fantasies. The two characters' stories meet in the last scene, a costume sex party. At the party Rocky de Sade is chained to the floor, where he is urinated and defecated on by prostitutes in revenge for their treatment by him. In 1988, the film was one of the first to be inducted into the XRCO Hall of Fame.

 "XRCO's Hot 'n' Horny Heart-On Awards!"


New York Underground Collection




1984-1993
Richard Kern

Richard Kern (born 1954) is a New York underground filmmaker, writer and photographer. He first came to underground prominence as part of the underground cultural explosion in the East Village of New York City in the 1980s, with erotic films featuring underground rock personalities of the time such as Lydia Lunch, Kembra Pfahler, and Henry Rollins in movies like "The Right Side of My Brain" and "Fingered." Like many of the musicians around Kern, he had a deep interest in the aesthetics of extreme sex, violence, and perversion and was one of the leading lights of Nick Zedd's coined Cinema of Transgression.

Thirteen shorts directed by master of the Cinema of Transgression himself, shot in Super 8, over a ten-year period (1984-1993). From The Right Side of My Brain to Fingered, from The Bitches to My Nightmare, from Submit to Me Now to The Evil Cameraman, galleries of disturbing excursions into sado-masochism. 

Also included is The Manhattan Love Suicides (1985), a series of suicides committed out of love by an array of freak characters. It includes the story of a fan who pursues the great artist and as the young man writhes on the floor, inspires the idea for a new film (Stray Dogs); and a woman who disfigures her face to resemble her deformed lover (I Hate You Now). 


This DVD contains the following:

1. The Right Side Of My Brain (1984)
About the Sexual Misadventures of a Sexually Insane Girl...


2. The Manhattan Love Suicides (4 episodes/1985)
- Stray Dogs, about artist and persistent fan. 
- Woman at the Wheel, about woman fighting with men in order to drive her own car. 
- Thrust in Me, about necrophilia, suicide, and bathtubs. 
- I Hate You Now, about deformed guy and his girlfriend.

3. Submit to Me (1985)
Oddballs dancing, leering at camera, guy shaving a nontraditional part of his body and man ripping his own throat out, woman stabbing herself to death.

4. You Killed Me First (1985)
Typical story of anarchist kid, Elizabeth, rebelling against family's consumerist and religious values. Ends when the disturbed kid guns her family down.

5. The Evil Cameraman (1986)
Another misogynistic piece involving women of all races caught up in rather violent situations.

6. Fingered (1986)
A phone sex operator/prostitute gets together with a guy she's been on the phone with. After a semi-hardcore sex scene, the violence begins. The man cuts someone's throat for looking at Lydia's character, then they go for a drive. The two abduct a hitch hiker and rape her in a junkyard.


7. Submit to Me Now (1987)
Rehash of Submit to Me. Oddballs dancing, leering at camera, guy shaving a nontraditional part of his body and man ripping his own throat out, woman stabbing herself to death.

8. X is Y (1990)
People playing with firearms with telephone sound effects in the background.

9. Horoscope (1991)
Woman dreams of dancing with men after reading horoscope and watching "Studs."

10. The Bitches (1992)

11. Death Valley 69 (1986)
Gory Sonic Youth music video with murdered family and cruise missile imagery.

12. The Sewing Circle (1992

13. My Nightmare (1993)


Extra:

Everyday Life Cannibalizing Art: Docu-fucktion, performance by Helena Velena
Photo Gallery
Biography
Filmography

Cast:Lydia Lunch, Clint Ruin, Henry Rollins, David Wojnarowicz, Bill Rice, Nick Zedd, Karen Finley, Lung Leg, Jap Anne, Ice Queen, Richard Kern, Little Linda, Jackie O, Marty Nations, Cassandra Stark, Audrey Rose, Marta Hoskins, Pete Shore, Jack Natz, Cruella De Villa, Tomoya, Linda Serby, Cristina.


Convulsion Expulsion


Directed & Edited by Usama Alshaibi
Music by Andy Ortmann
Cinematography by Andrew Dryer
Starring Echoplasm
Performed by Kristie Alshaibi
Executive Producer Roy DeMonde
Make-Up by Camilla Ha

“Forcibly torn from the mythos, Echo struggles with her reemergence as a physical being. A malfunction in the mind leads to the trauma of a body turning inside out. How long can a phantom made of pure sound be trapped as solid and visible matter? She will no doubt stain the cold sterility of this experiment before accepting her fate as an object of our observation.” Kristie Alshaibi

ALOG - Unemployed - 2011


"Alog - Unemployed" was recorded in a wide range of spaces and places. From recordings of Haugan and Eide as street musicians in San Francisco while touring, to scavenging old collections of 78-records in the mining town of Bjørnevatn in the far north-eastern part of Norway. From on-the-spot recordings of Sigbjørn Apelands legendary collection of vintage harmoniums in the St. Jacobs Church in Bergen, to high-end capture of the unique sounds of Alogs many custom built instruments in the studios of Notam in Oslo and BEK in Bergen. For a period of three years Alog collected material from all kinds of sources, times and situations and made new songs that constantly push their creative freedom in unexpected directions.

Alog was formed in Tromsø in the late 90s, as the duo of Espen Sommer Eide and Dag-Are Haugan. While touring and composing over the past years they have met a lot of unique musicians, and for "Unemployed" they were invited to extend Alog into new constallations. The soothing harmonium drones of Sigbjørn Apeland. The minimalist fiddle improvisations of the Sheriffs of Nothingness (Ole-Henrik Moe and Kari Rønnekleiv). The resonating everyday objects of the talented young soundartist Signe Lidén. The magical voices of fellow Rune Grammofon artist Jenny Hval and the legendary dutch sound poet extraordinaire, Jaap Blonk. All join in to explore new musical territory, either together or by being invited to create their own pieces for the album. The result is an open-ended collection of voices and expressions, genres, sounds and non-sounds that define a new extended version of Alog.


Tracklist

01 – Orgosolo I
02 – Orgosolo II
03 – The Weatherman
04 – Zebra
05 – Unemployed
06 – Arkipel
07 – Last Day At The Assembly Line
08 – The Mountaineer
09 – Baklandet
10 – Bиmlo Brenn Om Natta
11 – Et Besиk
12 – Spanish Record No. 9
13 – Januar
14 – Apeland


Maleonn



Shanghai artist Maleonn has been engaged in photography-based art only since 2004, following a career as a short-film maker. Craig Scott Gallery became Maleonn's first gallery (in late 2005) and continues to represent him and place his works with collectors worldwide. Since his inaugural May 2006 Transfigurations show at Craig Scott Gallery, much of note has happened that justifies understanding Maleonn not only as one of the most exciting and important photography-based artists working in China today but also as an artist who has made his mark worldwide in very short order. Maleonn’s work has generated a steady stream of recognition and accolades.

Just prior to the Craig Scott Gallery 2006 show in Toronto, Maleonn had been profiled in the “City of Dreams” program within the Canadian Broadcasting Corporation and New York Times’ jointly produced series CHINA RISES. Three months after the 2006 show, “Chinese Story No 2” (edition of 2, extra-large size), one of the works on display during the show, for 144,000 $HK (over $US 20,000) at Sothebys Hong Kong’s Contemporary Asian Art Auction – almost certainly amongst the highest prices ever fetched for a photographic work by a just-emerging photographer. As Peter Goddard of the Toronto Star (the largest-circulation newspaper in Canada) had already written in April 2007, Maleonn is the "reigning fabulist among today's new crop of photographers with an almost child-like imagination producing lyrical digital fantasies.” In the that same year, the Frist Centre for the Visual Arts in Nashville mounted a major exhibition drawn from the Pantheon of contemporary Chinese photography, called “Whispering Wind: Recent Photography from China”. Maleonn’s “Chinese Story No 8” was selected to join works from a select group of China’s top photographers including Zhang Huan, Xing Danwen, Dodo Jin Meng, Rong Rong, Zhang Dali, and Lin Tianmiao.